Most of the bands I have seen booked at White Marsh’s House of Rock have been in the traditional or hair, glam or sleaze metal category. So it was nice to see something I actually wanted to go to slated for tonight, May 2. Here’s the line up:
- Pain of Salvation (Sweden)
- Kingcrow (Italy)
- Imminent Sonic Destruction ( US- Detroit)
- Fallen Martyr (US-Baltimore)
I listen to a ton of death and black metal. Like a lot of it. But I have a soft spot for the prog rock, especially when masterfully done. Somewhere in between Taake and Marduk, I will slip in a little Opeth or Rush just to make sure I still know what a traditional melody sounds like. So I look forward to taking a break from my grim and frostbitten realm to check out these groups, and hopefully I will come back with some great photos and maybe an interview or two. This will be my first time at House of Rock. You should come too! Doors at 7. $25.
Pain of Salvation captured my attention a couple of years ago with their thoughtful cover of Leonard Cohen’s Hallelujah. Their original work is outstanding. If you miss them, you are fucking up. Seriously.
I have been following Baltimore’s Fallen Martyr for about a year, and I am anxious to see what new material they have to present. Guitarist Gabriel Luis has always impressed me.
Kingcrow is new to me, but the material that I have heard so far has blown me away. They combine heavy prog riffs with an 80s sensibility. I need to become more familiar with their music, but the Italian accents are cute!
Imminent Sonic Destruction is out on their first major US tour. Fans of Dream Theatre should check them out. Lead vocalist Tony Piccoli has some pipes!
|Radical Discharge – Photo M. Spiro|
Going back through my Google Calendar and my events list on Facebook caused so many concert memories to come rushing back from 2012. It looks as though I attended well over 60 music-related events this year—from large multi-day festivals to little bar shows. I even left the country for one show, something I have never done before. For another one, I took off from work in the middle of the week. Random.
Defining what qualifies as the “best” shows was difficult. Sometimes best meant that the show itself was great. Sometimes best meant that the venue or company I kept at the show was great. There were a few shows that were actually kind of bad for one reason but good for another. I tried to only list the ones that were both great musical events and also good times. I left out some very good ones, though.
|Primitive Weapons – Photo by M. Spiro|
Venue-wise I saw my first shows at Golden West and Rams Head OnStage and one of the last shows at Sonar before it imploded in upon itself. I spent the majority of my concert cash at shows at The Ottobar and Sonar. Hopefully the season pass I purchased to The Ottobar will be worth it. I also pray something decent is resurrected on the site of the old Sonar location. The Sidebar has added new lighting and I believe is in the process of upgrading their sound system, which together makes shows there more pleasurable. Some venues I did not visit at all this year. I did not see any shows at The Recher, Charm City Art Space, The Rock and Roll Hotel, The Howard Theatre or the 9:30 Club. Usually I go to the 9:30 Club a few times a year, but I was surprised to realize that I didn’t see a single show there in 2012! I hope to check out some new venues in 2013.
1. January 15 – Graveyard, Radio Moscow and Daniel Davies at Golden West, Baltimore. First show that I had seen at this restaurant that turns into a venue after 10 p.m. While the opener was nothing special, Radio Moscow and Graveyard were stellar. Also made some great new friends from the band Witch Hazel. Read previous write up here.
2. March 28 – Alcest, Deafheaven and Arbouretum at Golden West, Baltimore. Another great show at Golden West. Seeing Alcest was like witnessing some kind of black metal fairy tale unfold. More details on this show here.
|Martyrdöd – Photo by M. Spiro|
3. May 5 – Behemoth, Watain, The Devil’s Blood, In Solitude and Evoken at Rams Head Live, Baltimore. Every single one of these bands is amazing. Plus, I had a photo pass so was able to get up close for each band. Happy birthday to me.
|Nergal (Behemoth) – Photo by M. Spiro|
4. May 12 – All That Is Heavy 2 Fest at Mavericks Ottawa, Ontario, Canada with Blood Ceremony, Iron Man, Blizaro, Monobrow, Loviatar and Revelation. Since my husband is the drummer in Iron Man, it was kind of required that I tag along for this one. Hosted by Jennifer and Derek Bradshaw of the show Crossing Boredom on Ottawa’s radio station CKCU, this fest featured some of the best in Canadian and American doom. I fell in love with Blood Ceremony and Loviatar especially and I got to see some friends who live in the area who actually came out to the show! All around wonderful, it was a great time.
|Young And In The Way – Photo by M. Spiro|
5. May 22 – Meshuggah, Baroness and Decapitated at The Fillmore, Silver Spring. Meshuggah is always a life-changing experience. Pre-bus accident Baroness and Decapitated made me feel all warm and fuzzy inside.
6. May 24 to 27 – Maryland Deathfest X at Sonar, Baltimore. Highlights from this endurance festival of heavy metal included Agalloch, Absu, Negura Bunget, Hellbastard, the Devil’s Blood, Dragged Into Sunlight, Tsjuder, YOB, Demonical, Godflesh, Church of Misery and Ulcerate. What made this fest even more interesting was the fact that Hellbastard stayed with me for five days. FIVE DAYS! Friends for life.
7. June 2 – Marduk, 1349, Withered, Weapon and others at Sonar. There were a bunch of bands playing but I was most happy to see the ones I’ve listed here. Withered was a wonderful discovery, and I have never seen an entire room turn into mosh pit. Nowhere to run! Someone stomped on my foot and an attractive young man bought me a beer. Win!
|The Temper Trap – Photo by M. Spiro|
8. June 5 – The Temper Trap at Terminal 5 in New York City. This show was more for my daughter who loves this band but overall it remains one of my favorite concert memories of 2012. The Temper Trap are an intelligent pop band with great skills and a lot of energy. Opening bands were kind of funny and unmemorable but The Temper Trap erased all thoughts of them. Terminal 5 is a cool, spacious venue and you can see from everywhere, although we were right in the front. We had no problem walking back to our super cheap hotel on Times Square at 1 a.m. (about 1.3 miles) stopping halfway to eat a late meal at a diner. NYC is a pain in the ass to get to (we took the Megabus), but once you are there, it would be very VERY easy to never, ever leave.
9. July 4 – Black Breath, Martyrdöd, Enabler, Heaviness of the Load and others at Sonar. This show constituted my bachelorette party. (I got married July 7). I am aware that this is a very nontraditional event for a bachelorette party, but it was exactly what I wanted to do. I only had had two other official party members with me, but hearing the four bands I have listed above made for a perfect night. Someone even bought me a beer. Imagine that.
|Dick Dale – Photo by M. Spiro|
10. July 26 – Dick Dale at Rams Head on Stage, Annapolis, MD. Aside from the MDF four-day pass, this show was my most expensive. Why? I don’t know, because it was surf guitar legend Dick Dale and he might die soon? Maybe. He’s a wonderful performer, a bit of an egomaniac and definitely cranky when it gets past his bedtime, but I am glad I made the trip midweek to see him. I went alone (as I so often do) and sat at a table with strangers. Rams Head On Stage is an odd venue like that; they expect you to buy dinner, which I did. But I won’t regret seeing the man who perfected the tremolo guitar picking sound purloined by so many black metallers.
12. August 11–Ringworm, The Infamous … Gehenna, Young And In the Way, Oathbreaker ILSA and Eddie Brock at The Ottobar. No year is complete without a significant hardcore show. I had only previously seen YAITW (in Raleigh NC at the DIVE bar in January), but I had listened to them all. Hardcore is so much better live and on recording.
|Tyr – Photo by M. Spiro|
13. September 21 – Korpiklaani, Tyr, Moonsorrow, Metsatöll and others at Empire. I hate traveling to Northern Virginia for a show but gladly did so for this line up. I even took off from work. Just an amazing collection of Viking folk metal and superior musicianship. Good friends in tow were icing on the cake.
14. Sept 22 – Iron Man, Wrath of Typhon, Witch Hazel and Jason Barker at Wilcoms Inn, Ijamsville, MD. Wilcoms Inn is like a roadhouse. It’s a little honkytonk. But the chemistry between these bands performing live together is undeniable. Pure energy and heavy metal love fest.
15. October 19 – Pig Destroyer, Ilsa, Necropsy, Royal Thunder and Wargames at The Ottobar. Royal Thunder was an odd addition to this show, but I fell in love with them. Ilsa sounded better than I’d ever heard them before and Pig Destroyer’s performance featured lots of interesting guest appearances. My heart was warmed.
16. October 20 – Sus Domesticus, Sloth Herder and Horde of the Eclipse at Fat Cat Tattoo, Chambersburg, PA. Would you care for some black metal in the cold, unheated basement of a tattoo studio in south central Pennsylvania? Yes, please.
|Sus Domesticus – Photo M.Spiro|
17. November 6 – Deicide, Strong Intention, Extermination Angel, Existentium (Alhazred), Visceral Violation, March to Victory, and True Unholy Death at The Ottobar. I could think of no better way to spend my night of avoiding election results. And I developed a wee crush on Steve Asheim. Drummers: why do I love them so much?
18. November 14 – Torche, Radical Discharge, Iron Man, and Passage Between at The Ottobar, Baltimore. People warned me that Torche put on a great live show. It was so great, in fact, that I had the wind knocked out of me as I was thrown to the ground in the mosh pit. But it’s all good, all very, very good.
|Steve Asheim (Deicide) – Photo by M. Spiro|
19. November 20 – Atriarch, Wolfnuke, Night Sins and Ophidian at The Sidebar, Baltimore. I am not sure what Night Sins was doing but the other three groups on this bill were speaking my language. I loved Wolfnuke already, was just getting into Atriarch and am looking forward to hearing more from Ophidian in the future.
20. December 15 – Satan’s Unholy Abomination Fest at El Oasis, Baltimore. This was a great way to end 2012. See my full review of this show here.
|Black Witchery and me. Happy New Year. Photo by some friendly guy who was standing there!|
Washington, DC area pianist Al Baes knows the challenges of the gigging musician. He has been playing classical music since he was five, studied jazz at the University of Maryland College Park, has played around the DC area for more than two decades and is the keyboardist for the R&B jazz group Soul-Rhythm.
“One of my most memorable performance on stage that I had the pleasure to jam with was the group, Heatwave. This was back in 1997 in Virginia. We did their popular tune “Always and Forever.” They had happened to drop by a nightclub where I was performing with my band,” Baes recalls.
This holiday season, Baes is trying something new.
On Sunday, Dec. 9 at 8 p.m. Baes will play on a virtual performance platform called StageIt. With StageIt, performers set a date and time for their show and sell tickets to a one-time-only event. All a fan needs to do is buy a ticket and log on at the appointed time. Performances are not archived; they happen once, just like a show you would travel to attend. StageIt also allows concert viewers to tip the performers during the show, using a credit card or PayPal account. Any type of musical genre is welcome.
“I only discovered StageIt a couple of weeks ago and thought of just trying it out,” said Baes. “Actually this first performance is just an experiment. I am just trying to see how it goes.”
Baes says his show “A Paradise Experience” will be short– just 30 minutes — and “will consist of some of my own original material which I use in piano lounge settings. I am also bringing some cover tunes as well.”
In the spirit of the holidays, Baes has decided to donate any proceeds from Saturday night’s performance.
“Since the StageIt broadcast service requires payment from viewers, and since my objective is not to make money from this, I decided to forward the funds to a charitable entity, DC Central Kitchen. Viewers can pay what they can using a credit card or debit card.”
What does he think about a virtual concert venue?
“I think this online broadcast service is a great idea especially since it’s really hard for musicians to find venues to perform their music, and also (it gives you) the opportunity to gain exposure and to promote (your) material.”
Some of Baes’ favorite musicians include Al Jarreau, Joe Sample, Bobby Caldwell, Anita Baker, Quincy Jones, and Grover Washington Jr. They are likely to influence his performance on Sunday.
To attend “A Paradise Experience” on Sunday night, follow this link.
To view Baes’ profile in StageIt go to this link.
The Facebook event page for this show is at this link.
There’s a saying that most of us are just one paycheck away from being homeless. In the case of Ed Barnard, mastermind behind the doom, sludge, psychedelic, stoner, sludge metal website Doomantia, it was a $10,000 medical bill.
At last report on his webiste, Ed was indeed homeless in the state of Washington, splitting time between a tent and an occasional motel room. Somehow he continues to post record reviews and so forth on the site, aided by his companion in doom, Sally Bethall.
The doom community is a tight knight bunch and several members have stepped forth to spearhead an effort to raise money on Ed’s and the website’s behalf. Nine bands will gather at a small club called Lallo’s in Knoxville, Maryland to perform a benefit show. The line up includes Against Nature, War Injun, Fire Faithful,
Ghutt, When the Deadbolt Breaks, Lord Fowl, Foghound, Ninety Ones and Akris. The show starts at 2 p.m. and costs $20. (Note: Ghutt is unable to appear at this show.)
Lallo’s, located at 853 Jefferson Pike, Knoxville, MD 21758, bills itself as a pizza joint, but really it is a Mexican restaurant and the food is pretty good. It is located kind of near nothing at all, but once you get there, there will be no reason to really leave because these bands are all stellar. I can personally vouch for Against Nature, War Injun, When the Deadbolt Breaks and Akris since I have seen all of them live. Your doom aesthetic will be rocked at this show.
A digital compilation is also in the works and should be available for order by the end of October. The benefit compilation is slated to include the works of 35 bands who contributed their time and effort. They include Bongripper, Order of the Owl, Demonaut, Halmos, Switchblade Jesus, OceansRainbow, War Iron, Fister, Iron Man, Screaming Mad Dee and Alex Vanderzeeuw, Wizard’s Beard, Gorgantherron, Bastard of the Skies, Wolfpussy, Sludgethrone, Undersmile, Beelzefuzz, Vulture, The Departure, Spyderbone, Blackwolfgoat, Low Gravity
Križ, At Devil Dirt, In the Company of Serpents, Hollow Leg, War Injun, Dope Flood, Compel, Heathen Bastard, and Chowder.
I have heard of many of these bands, but several are new to me. I am admittedly less schooled in this subgenre of metal than some others. Either way, both the concert and the compilation are great ways to pay back someone who has donated a great deal of personal time and energy to support the music and bands he loves. Hard times can befall any one of us at any time, so it is nice to know that people care about someone they have never met but who has impacted their lives.
Plus, according to JB Matson, drummer for Hagerstown, Maryland band War Injun, doom metallers have good reason to support Ed Barnard and Doomantia. “The average doom fan checks the Doommantia website for reviews BEFORE buying unfamiliar music,” Matson said. As for Ed, Matson added, “Without him forming one of the most powerful media voices for the genre of doom and screaming doom from the mountain tops, the genre wouldn’t have nearly the amount of exposure it has gained.”
So get out to Lallo’s on Oct. 13 for a day of doom then follow that up by getting ahold of the $7 Doomantia compilation download available soon through the Doomantia website. Pay the doom forward.
Few extreme metal bands are surrounded by as much controversy as Behemoth, who play Rams Head Live in Baltimore on Saturday, May 5. Together with their tour mates Watain, The Devil’s Blood and In Solitude, concert goers should expect an evening of fire, brimstone and rock and roll.
In their home country of Poland, Behemoth has gained a reputation of pissing off religious groups. In 2010, Behemoth lead singer Nergal (Adam Darski) faced a possible prison sentence for a 2007 concert incident in which he ripped pages from the bible and accused the Roman Catholic Church of being a murderous cult. The act of offending the RCC is a crime in that country. Although the courts later cleared Darski of any wrong doing, saying his act was a work of artist expression, controversy remained. Later, pressure from the Polish Catholic church caused a television network to dismiss Nergal as one of the judges on that country’s version of the talent show The Voice.
|The Devil’s Blood|
Nergal’s reaction to the banning was somewhat comical:”… WOW! We are facing a legendary moment: Amerika, the land of the free, is banning Behemoth coz of religious beliefs. The madness starts in Ohio, but of korz we are playing anyway. Nothing can stop us now. God, please save me from this freedom.”
Behemoth was not the only group on this tour to face difficulties. Watain’s visas were delayed, and they were not in the US in time to perform for the first five shows of the tour. Some of those cities are being rescheduled, so if you are follower of the Watain “ritual,” then you should be checking their Facebook pages for updates about when those will occur. The Devil’s Blood reported on their Facebook page that after their show in San Antonio, their driver ran off with some of their money. And In Solitude has reportedly had some travelling woes as well.
No matter, come this Saturday all should come together for one “hell” of a show. And that is hell in the literal since, as the groups on this lineup all espouse, to one degree or another, anti-religous or satanic view points. What does that have to do with the music? Nothing, in my opinion, but not everyone would agree.
This tour is actually quite diverse. Behemoth plays crushing death metal with Nergal’s aggressive vocals and pounding memorable riffs. Watain’s music is a bit more guitar driven with complex melodies that rely heavily on the flatted fifth, aka The Devil’s Interval. The Devil’s Blood sound something like a cross between the Jefferson Airplane and Coven, that is, strong psychedelic tunes with a bold female vocal. In Solitude is a straight up rock and roll band with a heavy nod to Blue Oyster Cult , Black Sabbath and even Kiss.
Attendees should be advised that Watain (when permitted) use rotting animal carcasses and blood in their performance. The smell can be overwhelming, though, like any smell you continue to inhale, you stop smelling it after a bit. The Devil’s Blood also uses blood in there performance. Candles will light the stage for much of this show. Overall, the evening should be one of intense aural, visual and olfactory stimulation.